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Pumpkin
6"x4" oil on masonite panel ••• I just got back from setting up for the Beverly Hills Art Show and I
think I left my brain there—I cannot think of anything to type. • Not wanting to disappoint, I looked up an invaluable quote for you from The Handbook for the Representational Artist, 133th Abridged Edition
as translated from its original Albanian. "If you wish to land a solid
punch whilst modeling a subject, whether it be a gourd or a human face,
may we suggest landing it at the transition from light to shadow (see inset Diagram A).
Now this may not be to your taste and if you are a direct painter, it
may seem a bit of a challenge, but it is a great place to throw that
knock out punch of zingy vibrant color." •
Okay, I do not understand the value of using pugilistic terminology
when talking about painting and I am not 100% sure as to what qualifies
as a "zingy vibrant color," or exactly what "oomph" is (see inset Diagram A), but there you go; solid advice from an extremely dubious source. • Don't forget, the Beverly Hills Art Show is this weekend (details below). If you are on this side of the planet, drop by and say hello.
•••••
The Beverly Hills Art Show
(
http://beverlyhills.org/exploring/beverlyhillsartshow)
I will be showing my wares in space #140, that's in the first park between Rodeo and Beverly Boulevards. • Saturday & Sunday, October 17th & 18th / 10am to 5pm both days. • If you are going to be on this side of the world, drop by and see my latest work.
Posted October 16, 2015
sold • private collection phoenix, az
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You are great at putting Oomph into all your paintings Raymond! Good luck with your show and one day I hope to be on that coast to actually go :)
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